Though Hanzo’s sniping may be outdone by Widowmaker’s hitscan rifle, his ability to play mid-range makes him a better pick for offensive modes and maps lacking long sight lines, such as the best map, King’s
Overwatch’s corporate identity was clear to see through its diverse cast and clear attempts at inclusion, made worse by queer characters who were never given any strong narrative within the world itself. On the surface it was a bold statement, but dig any deeper, and you were left wanting so much more as Blizzard chased demographic approval. Its universe had so much potential for excellent stories and worthwhile sociopolitical commentary, but this clear ambition was brushed aside as the years went on in favour of recycled seasonal events and development of a sequel that is only now lumbering towards the finish line. I once looked up to Overwatch, but now I can’t help but view its failings and cynical business practices for what they really are. I still love so much about it, and the warm memories it brings to the forefront of my mind are clear proof that Blizzard struck gold with this one.
Iterative releases are something that fans of sports games are more accustomed to. Every year a new NBA, Madden , NHL, MLB or WWE game is released and they’re rarely significant departures from the previous installment. These games are usually expected to release annually, so they typically feature nothing more than roster updates with maybe the occasional new mode or gameplay tweak. Yet, despite being essentially the same game – or in some cases being much worse than the game that came before – they’ll still cost you the price of a triple-A rele
Overwatch defined my first steps into adulthood. I was in my first year of university when it came out, and remember watching my flatmates jump into the beta as they hyped it up as the next big thing. I’d never played a Blizzard game before, and at the time it was an untouchable bastion of goodwill defined by countless classics. Not so much these days . This was its first new IP in decades, and it had all the ingredients to be a masterpiece.
Of course, we had awesome women like Mei and Zarya amongst the cast, but there was D.Va, Tracer, and Widowmaker strutting their stuff alongside them. Overwatch was a real sticking point in our development as horny gamers, and a willingness to embrace sexuality in our games and view it as something to no longer be ashamed of. Overwatch was a stepping stone to this point, but a stone covered with the slippery moss of the mid ‘10s Whedonised feminism, where the best way to make a female character strong was to make her sexy too. Putting aside the smut, I was invested in some of the game’s queer ships for years, whether it be through tasteful fanart or brilliantly written fiction that understood these characters better than Blizzard ever will. Pharmercy till I die. You know Overwatch was something special because it made you care, and the relative indifference from Blizzard in the years since is almost upsetting.
There’s also the porn. Oh my goodness there was so much porn. Overwatch porn hit harder than Tory austerity in a low-income council estate on the outskirts of Birmingham. I suppose it’s a testament to how much we loved these characters that fans were able to create detailed animated films of their main being drilled into oblivion. I respect that dedication, yet it also highlights how blatantly sexualised so much of the cast was, with many of their designs intentionally drawing in the male gaze with conventional body types and poses drawing our eyes to very specific parts of the body. Most of the girls were clearly designed by dudes. \
I’ve got my Transcendence ready to go, meaning that when Genji pulls his Dragonblade, I can protect my entire team by moving alongside him and nullifying all of the damage he’s trying to dish out. I used to be pretty good at Overwatch back when I played more regularly, so I’m patiently waiting for a specific sign – that telling dash up into the air to give him a clear view of the targets below him. “Ryūjin no ken wo kur
We also need to talk about loot boxes, since Overwatch was responsible for increasing their popularity outside the mobile space. Ultimate Team was already a thing, but Blizzard showcased how easily cosmetic items could be monetised through random packages of goodies earned by either levelling up or buying them outright. I had friends who would set aside entire evenings during seasonal events to grind for boxes, hoping that Blizzard would be kind enough to let a legendary skin fall into their laps. None of them were playing for fun, instead waiting for that brief hit of serotonin that comes with a rare drop. Or they could spend money, and as the profits have long shown, so many of us went and did just that.
For the first couple of years, Overwatch was unstoppable. Each new Hero Shooter Competition was a major event, hyped up with months of speculation as players tried to guess who was coming our way next by digging into the game’s files or drawing from small clues left behind by Jeff Kaplan and friends. Sombra, Doomfist, Orisa, Ashe, Ana, Moira, and Brigitte were all big deals, igniting imagination across the fandom with how their relationships intertwined with the existing roster and how their position in the narrative would come to play an important role.